Most people assume that an old brick structure in the alley on their rear lot is simply a carriage house. Most are indeed, but its always a thrill to research a rare alley structure that was actually built as a studio for a prominent artist. The owner of
the vacant lot where 1749 18th
Street, NW was to be constructed, Charles W. Handy, applied for and was granted an Application
for Permit to Build numbered 161 for its construction on April 13,
1892. He neglected to list an architect
responsible for its design, but did list contractor C. V. Trott as the builder
at a cost of $9,000. The rare rear building located behind 1749 18th Street was built to house the studio of sculptor Henry J. Ellicott, known especially for his Winfield Scott Handcock equestrian statue at 7th and Pennsylvania Avenue, NW.
Henry Jackson Ellicott, an American
sculptor and architectural sculptor, was best known for his work on American Civil
War monuments. Elliott had been born on
either June 23, 1847 in White Hall, Maryland.
One
of seven children born to James P. Ellicott and Fannie Adelaide Ince, he
attended Rock Hill College School in Ellicott City, Maryland, and Gonzaga
College High School in Washington, D.C.
He studied at Georgetown Medical College, and may have served in the
Civil War.[1]
He
studied at Georgetown Medical College, then, at age 19, he completed a
larger-than-life plaster statue of Abraham Lincoln – likely an entry in the
Lincoln Monument Association's competition for a marble statue – that was
exhibited for two years in the United States Capitol rotunda. The competition was won by sculptor Lot
Flannery, whose statue is at District of Columbia City Hall. Seen below in August 1868 in the rotunda, the
fate of Ellicott's Lincoln statue is unknown.
He
studied at the National Academy of Design in New York City from 1867 to 1870,
under William Henry Powell and Emanuel Leutze; and later studied under
Constantino Brumidi.
He was creating monuments for
placement in cemeteries as early as 1870 and, according to the United States
census of that year, he was living in Manhattan and was identifying himself as
a sculptor–not as a student. In the 1876
New York City directory, he is again listed as a sculptor. His first two commissions were for monuments
at Mount Calvary Cemetery in Lothian, Maryland (1870) and Greenwood Cemetery in
Laurel, Maryland. He was the likely
modeler of an Infantryman statue for J. W. Fiske Architectural Metals, Inc. of
New York City that was mass-produced and used in numerous municipal Civil War
monuments. Company records list the
sculptor's name as “Allicot.”
In
1876, he moved to Philadelphia, Pennsylvania, and modeled architectural
sculpture on buildings for the 1876 Centennial Exposition. He remained in Philadelphia and exhibited
occasionally at the Pennsylvania Academy of the Fine Arts between 1878 and
1891. Ellicott did list himself as an
architect in Philadelphia city directories for 1884 and 1890. According to
Fielding, he had studied drawing at the National Academy of Design in New York. He married Lida Dyre about 1883. She had been born in Maryland in February of
1865.
Ellicott was appointed under the Harrison administration Superintendent and Chief
Modeler for the U.S. Treasury Department in 1889, responsible for all federal
monuments.[2] He moved to Washington, D.C., where he listed
his occupation as a sculpture in the Corcoran Building, with a residence at
2026 H Street, NW in 1894. He and his
wife were listed as living at 1752 S Street, NW in the 1896 Elite List. It was a speculative house built along with
1740-1750 by the Kennedy & Davis firm, who obtained their building permit
on October 17, 1892. By the time the
1900 census was enumerated he and his wife owned and lived at 1868
California Avenue, NW, with a live in servant and a boarder. Ellicott died on February 11, 1901 at age
54.
The Studio Building
The studio building itself seems to
have originally been part of the plot occupied by 1752 S Street, NW, but was later
subdivided. It is seen on the 1939 Baist
Map. Both the house
and the studio were occupied by various members of the Berry family, according
to the 1916 City Directory, the first time the studio was listed as having a
resident, obviously altered to include a kitchen and proper bedroom. The directory listed J. Talburtt Berry, an
inspector, and Louise Berry, a teacher at the Weightman School. The house at 1752 S Street had occupants
listed as Edna C. Berry, a clerk, M. Heath Berry, a health inspector, and Roger
B. Berry, a draftsman at the Barber & Ross real estate development
firm. They had all moved into the two
structures from a prior address of 1919 K Street, NW, where they were listed as
roomers.
A
later, 1930 census reveals that Louise, Edna, and M. Heath were siblings, who
then all resided at 1820 Lamont Street, NW, owned by Louise. Roger Berry was their father. She had been born in 1882, Edna in 1895, and
Heath in 1897, all in Maryland.
Roger
and Edith Williams sold the studio building to the Walter M. Ballard Company on
May 14, 1925 for $3,500, financing the purchase. The Ballard Company was engaged in the office
furniture, wood and steel filing cabinets, and office supply business, with a
storefront location at 1340 G Street, NW.
It is likely that they utilized the former studio as storage space, as
no persons were listed at the address in the yearly City Directories during
their tenure.
The
Ballard Company defaulted on their loan, however, and the studio building
reverted to its former owners, the Williams’s.
They eventually sold it to Catherine Wygood, on January 13, 1947. She in turn sold it on February 23, 1954 to
Jocelyn Ball Baxter. She owned the house
at 1749 18th Street, and ran it as an apartment house, according to
the Haines Directory. There is no
evidence, however, that the former studio was used as housing during her tenure
of ownership.
Ellicott’s Selected Works:
- Abraham Lincoln, plaster, current whereabouts unknown, ca. 1866.
Exhibited in United States Capitol rotunda, 1866-68.
- Goddess of Commerce, Goddess of Protection, Goddess of Mechanism,
zinc, atop New England Mutual Life Insurance Building, Boston, Massachusetts,
1875, Nathaniel Jeremiah Bradlee, architect (demolished 1946). The figure group was once the symbol of the
company, but the statues were melted down in a World War II scrap-metal drive.
- Recording Angel, atop Thomas P. Duncan Mausoleum, Union Dale Cemetery,
Pittsburgh, Pennsylvania, 1880, Theophilus Parsons Chandler, Jr., architect.
- Bas-relief portrait of John Sartain, bronze, Pennsylvania Academy of
the Fine Arts, Philadelphia, Pennsylvania, ca. 1888.
- Architectural sculpture: 33 Keystones (Ethnological Heads), granite,
Library of Congress, Washington, D.C., 1891 (above). Carved by Ellicott and
William Boyd.
- Bust of George M. Dallas, marble, United States Senate Vice
Presidential Bust Collection, United States Capitol, Washington, D.C., 1893.
- Francis Elias Spinner, bronze, Myers Park, Herkimer, New York, 1894.
- Zebulon Baird Vance Monument, bronze, North Carolina State Capitol,
Raleigh, North Carolina, 1899-1900.
- Bust of Rear-Admiral George W. Melville, bronze, United States Naval
Academy Museum, Annapolis, Maryland.
Civil
War Monuments:
- Goddess of Victory, bronze, atop Soldiers' Monument, Veterans Park,
Holyoke, Massachusetts, 1875-76.
- Colonel James Cameron, granite with brass sword, Civil War Monument,
Cameron Park, Sunbury, Pennsylvania, 1879.[12]
- Infantryman, bronze, Civil War Monument, Lawrence, Massachusetts,
1881. The Sailor and Cavalry Officer figures were modeled by William Rudolf
O'Donovan.
- Cavalryman, bronze, 2nd Pennsylvania Cavalry Monument, Gettysburg
Battlefield, Gettysburg, Pennsylvania, 1887-89.
- Kneeling Cavalryman, bronze, 1st Pennsylvania Cavalry Monument,
Gettysburg Battlefield, Gettysburg, Pennsylvania, 1889-90.
- Equestrian statue of General Winfield Scott Hancock, bronze,
Washington, D.C., 1889-96 (left).
- Equestrian statue of General George B. McClellan, bronze, City Hall,
Philadelphia, Pennsylvania, 1891-94.
Copyright Paul K. Williams
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